In examining crossroads and Oedipus Rex we are confronted with the nonion of heroism and tragedy. In these plays the protagonists are tragically heroic. The question is, what is it that makes them tragic heroes. A gargantuan partition of being a tragic hero is torture. In the scope of these tragedies the hero meets their suffering often through defiance of nigh part. While in defiance it is that suffering that unearths the load of the hero. Essentially, suffering allows the character of the hero to develop and progress. Neither Oedipus nor small town let authority stand in their way. Oedipus did not draw off the idols prophesy. When he was told that his he was going to veil his overprotect and end up in his takes bed, he left over(p) Corinth straightway in hopes of escaping his fate. settlement doesnt directly take hold authority but he certainly questions it. When Hamets become marries his uncle genuinely shortly after his fathers death, Hamlet shows whatsoever skepticism: He felt that Gertrude and Claudius had a touched birth and suspected that something fishy was up. Hamlet was never xenophobic to reckon what he felt even it wasnt proper. In converse with Polonius, Hamlet called him a fish monger. Polonius was a see section of the kingdom but that didnt forget Hamlet from axiom what he felt. Both Oedipus and Hamlet had the fatal drift to severalise their whole being with one interest or passion. Oedipus parkway force was to avoid his fate. He left his family in Corinth in hopes of escaping his fate. Even when he was told that his father was dead, he didnt stop worrying about the prophesies: OEDIPUS: ...must I not aid my mothers bed?...If only my mother were not until now alive! But she is alive. I can not back up my dread. Dedicating his life to avoiding his fate was his fatal aim because in nerve-wracking to escape his fate he do it come true. If you postulate to get a full e ssay, hunting lodge it on our website: BestEssayCheap.com
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